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Baphuon temple

 

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Angkor temples

Baphuon Temple

A pen and watercolour rendering of the Baphuon temple as it might have appeared in the 11th century, painted by Lucien Fournereau in 1889.
Built in the 11th century by king Udayadityavarman II (1050-1066), the temple, dedicated to Shiva, was located near the royal palace, part a city plan of Angkor that was centuries away from being enclosed by the walls of Angkor Thom with its Bayon in the centre. The mountain temple stands 34.8 metre high without the tower that no longer is there. It was crowned by a bronze tower according to the Chinese diplomat Zhou Daguan, who visited the Angkor Thom at the end of the 13th century.

Restoration works prevent access to the temple. This restoration started in 1908 by entangling the structure from the vegetation. In 1972, the process was still ongoing. Workers had dismantled the whole building, numbering each stone to enable them to reconstruct the temple, when the war forced them to leave. After the defeat of the Khmer Rouges, the documents related to the reconstruction had disappeared. Since 1995 it is being puzzled back together without a blueprint but with the help of French expertise and the Cambodians from the original restoration team.

The Baphuon was the largest temple of its time and only Angkor Wat would surpass it in the following century.  It went through a major remake project by the end of the 15th century. Where it was originally built as a place of Hindu worship, dedicated to Shiva, it was transformed into a Buddha temple in a most impressive way.

A reclining Buddha was built on the second level of the western side. This sculpture was created by demolishing some portions of the temple to use the stones. This is how the 8-meter tower on top of the monument may have disappeared.

This Buddha aggravated a problem that had affected the structure from the beginning. The three-tier pyramid was erected on an immense sand-pie as fill. Earlier, Angkor builders had successfully used this technique but the Baphuon exceeded the limits of what the technique could handle. The builders had created one of Angkor's biggest but also most precarious monuments.

Because of the instability of the sand fill, due to the weight of the monument and the rain filtering through the stones, portions of the temple collapsed. Throughout the Angkor era repairs were necessary to prevent the structure from collapsing. By the late 1400s, it probably was in pitiable condition, which might explain why builders of that time had no misgivings about demolishing some sections to build the Buddha.

 

 

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